View from across the ocean (6/5/2015)

Politics is weird. Been an interesting time keeping track of the Aussie news this past week or two. Did anyone hear about that piece of coal the government’s planning on giving to the royal family to celebrate the new princess? The really pretty one? Was that a joke? I think it was a joke. I’m not sure I can tell anymore. Here’s what the news looks like from where I’m at.

Leadership wise, PM Tony Abbott seems to have pulled the plug on possible leadership spills for the moment, though that could easily change from “probably still won’t make it to the next election, and wouldn’t win it even if he did” back to “seriously, why the hell hasn’t this guy been given the boot yet?” if the upcoming budget has even a whiff of the things that made the old one such a disaster. Far more interesting was the sudden and apparently bloodless change in the leadership of the Greens yesterday. Christine Milne (best known as the Tasmanian woman who took over after Bob Brown quit) sent out a message on Twitter (the Aussie Polly’s megaphone of choice for important and/or policy related announcements, because fuck traditional media and press conferences) announcing that she wouldn’t be contesting her place in the Senate (family reasons), and because of this had resigned from her position as leader of the Greens Party. A leadership ballot was held at 11:30 in the morning, same day yesterday, and some bloke named Richard Di Natale had won it by 12:30. Larissa Waters and Scott Ludlum were made co-deputy leaders (because for some reason the Greens need two deputies). Done and dusted and leaving those of us who care about such things blinking twice and thinking “the fuck just happened?” The new Greens Leadership certainly isn’t talking. It certainly seems quick and painless. Considering that everyone was expecting Adam Bandt to take the top job in the party, however, and the speed of the announcements and ballot, I couldn’t help but think of a line from that episode in The Simpsons when they go to Africa: “He took power in a bloodless coup. Only pillow-smothering.”

Mind you, all due respect to Dr Di Natale (he’s an old hand and Greens veteran) but, as best I can tell, lacks the kind of public awareness amongst the new, young Greens supporters that the very social media savvy Scott Ludlum, Adam Bandt and even Sarah Hanson-Young enjoys. So I wonder if the most popular question he’ll be asked after “what were the circumstances leading up to you taking over?” or “when was the rest of the party made aware of Senator Milne’s plans to resign the leadership?” may just be “so, who the hell are you again?”

Good luck to him. We need a strong third party to keep the two big players (bastards, if you will) in line and honest, and that hasn’t been the Greens so far with their protest party mentality. Hopefully the change in leadership will allow for a change in policy.

Then there’s the recent incident of the Australian Ambassador to France Stephen Brady’s long term partner, Peter Stephens, being asked to wait in the car instead of greeting Mr Abbott upon his arrival in Paris. Mr Brady was understandably upset and offered his resignation, which was rejected. There’s a few different theories, including one where it was simply a bit of protocol miscommunication. Someone reckoned that since the PM wasn’t arriving with his missus it would be incorrect for the Ambassador to meet him with his mister. Mr Abbott’s made clear he wasn’t aware of the request, believes Mr Brady to be a fine, distinguished public servant and overall top bloke, and that the snubbing happened at the junior official level. I groaned a bit at one particular quote: “I’m the Prime Minister and I don’t normally concern myself with trivia.” C’mon Mr Prime Minister, don’t start going all aloof with us again after you did so well skolling that beer.

We’re likely going to be hearing about a billion dollar cut to Australia’s foreign aid budget, a strategic and geopolitically unsound decision in my opinion, but hey, I don’t get to make those decisions and Joe Hockey’s pretty desperate for cash. Y’know, like all those African and South East Asian countries that are about to find it a lot harder to pay for health and education to help pull their large populations out of desperate poverty. Though it’s not like a lack of education and an endless cycle of poverty breeds resentment that can be radicalised against us, right? Right. Most of that money will be pulled from Indonesia, something that the Indonesians might take the wrong way. You may have heard that they executed two Australians recently, Andrew Chan and Myuran Sukumaran, along with six others. Now, the deaths of these two men is something I am not really qualified to comment on and a lot of people have done a far better job of it. Suffice to say I am always against the death penalty and supported all attempts by the Australian government and public to prevent the executions from happening. Point at the moment though is that them in charge are going to have a hard time convincing the Indonesians (and a lot of Australians) that this isn’t a reprisal from killing two of our citizens. It’ll be interesting seeing how Julie Bishops handles it, especially cause she strikes me as having the stones to not even bother trying.

What I’m really interested in seeing, however, is the budget. Hockey and Matthias Cormann need to pull something special out of their arses or at least one of those is going to face a boot. Hearing a lot about cuts, but not a lot about revenue raising, so I’m not expecting much. They were supposed to get some help when the RBA dropped the cash rate to 2.0% but the market reacted poorly to the news, so that might not be as useful as people were expecting. And now the unemployment rate has risen slightly (SLIGHTLY!). Then they’re talking about adding the GST to software downloads (including Netflix), making something far more expensive for Australians than it should be more expensive, and reducing the value upon which an imported parcel can be hit with GST to less then its current level of $1000.00. That’ll be popular.

Meanwhile, internationally, the UK’s going to the polls and Angela Merkel’s got into a bit of trouble because it turns out she was helping the Yanks spy on their friends. What’s happing in Canada… heh.

A good, honest, hardworking jackass, or why I loved Emergence: Dave Vs the Monsters

As always with my reviews, spoilers ahead. Not too bad, but a few.

One of my least favourite tropes in film, television and literature in general is that of the tortured badass searching for (or receiving) a chance at redemption. Y’know the type. Some ex-cop (always a bloke) who left the force after he accidentally shoots an innocent woman or fails to save a child (or shoots an innocent child, fails to save a woman), drowning himself in a depressive spiral of substance abuse and random women (bonus points if they’re hookers) working as a PI until that one case comes along to shake them out of it back onto the straight and narrow, or some such shit. But, goddamnit, before the incident happened they were the best damn whatever on the whichever, with a loving partner and 2.3 adorable kids. Or perhaps the character is the type to have spent so much time at work becoming the best whatever on the whichever that he’d neglected his family life, drowning out the guilt of a rightfully angry ex-partner and a couple of kids who went off the rails (or died) without a present and accountable father figure (it’s always a bloke) in a spiral of substance abuse and random women (bonus points if they’re hookers), working until they meet the little girl or boy who reminds them so much of their own neglected spawn that they’re able to shape up and be the spouse and parent they always meant to be. Don’t get me wrong, it’s made for some amazing and iconic characters over the years, but it too often seems to simply become a lazy way of providing a reason why this or that dark-loner-antihero still has a heart of gold despite all the bourbon and strange, and why he’ll suddenly go from being that filthy, drunken bastard to flawless action hero by the end of the movie/book/season. What I love about Dave Hooper – the protagonist of Emergence: Dave vs the Monsters, John Birmingham’s latest written adventure – is that he never stops being a selfish bastard.

The book never allows any allusions contrary to this fact. It starts with Dave in a helicopter on his way to his job as the safety boss on a BP oil rig off the coast of Florida that was in the midst of completing a record drill deep into the earth’s crust beneath the ocean (FORESHADOWING!). He’s hungover from an extended binge involving unholy amounts of grog, a pair of top shelf prostitutes flown in from Nevada and a lot of toppier shelfier blow probably not flown in from Nevada, paid for with a six month bonus that he himself admits should have been put towards paying his taxes or soon-to-be ex-wife (who he’d been habitually cheating on for years prior to their separation), with time he should have spent heading north for an access visit his two sons (that he hasn’t seen or spoken to in far too long). He stares out at the coast, dreaming of traveling to his boys instead of to the rig and finding a way to redeem himself in their eyes, while admitting to himself that he never would.

His world is flipped on its head when he arrives at the rig and discovers that it has been attacked by man-eating monsters from the under realms, gets lucky and kills the leader of the pack and in so doing is granted super speed, strength, senses, an increased metabolism, perfect physical form, the memories of the guy he killed and an enchanted splitting maul (basically a cross between an axe and sledgehammer used for splitting logs), gifts that will come in handy after he hooks up with a bunch of Navy Seals and helps deal with the monsters coming from the literal portals to hell that are starting to emerge.

In most other stories this would be considered by the protagonist as their chance at redemption, to become better people. Thankfully, Dave is not one of those protagonists. Throughout the novel he remains a selfish and conceited arsehole. He keeps important information from the men (and woman) planning for a war against the monsters out of fear they’d consider him crazy, despite all assurances otherwise that everything was already pretty batshit and they were pretty willing to listen to everything the inexplicable superhero had to say. His first concerns when providing a urine sample to the navy doctors trying to figure out what happened to him is whether or not they’d rat him out to his old employers at BP when they found all the blow in his system (they don’t find any traces, a result of his increased metabolism). Some of his first thoughts when he finally begins to get a grasp on the changes to his body are what chugging a bottle of spirits will do to him and how he’d react to snorting a line of cocaine, something he wants to try as soon as possible. He’s crude, occasionally has to catch himself before saying something racist (a problem he willingly admits to, thankfully) and more often lets it slip past, openly homophobic, a chauvinist who judges women immediately on how pretty they are and seems to allocate respect according to how unattractive they are or how unlikely they are to fuck him (case in point, if you read the book, his shifting thoughts on Professor Ashbury). Dave’s charming and friendly, definitely, quickly ingratiating himself with the other characters we meet in the book, but he’s still a twat, and at no point does he improve on any of these issues (though the book is part of a planned trilogy, so we’ll see what Dave’s like at the end).

Thing is though Dave still constantly and consistently does the right thing. When he learns that his oil rig is on fire his first thoughts are on getting down there and keeping his people safe. When he gets superpowers he doesn’t need to be threatened, bribed or otherwise convinced to help fight the monsters. It’s not part of some epic quest for redemption either. He just does the job that needs doing. Because if he doesn’t a lot of innocent people will die. Because it’s the right thing to do. Because he can.

The other characters are all competently written, though not all are as interesting as Dave is. If Birmingham has a flaw I’d say that he uses stereotypes to shorthand minor characters a little too often. Professor Emmeline Ashbury’s abrupt, direct, wonderfully profanity laden attitude is explained away by the fact that she has Aspergers. Professor Compton with his neckbeard, stature and constant whine is a fedora short of an internet meme, meant to immediately generate the ire of us lefties, feminists and SJWs as well as ignite our resentment of the sheltered bureaucrat. It’s a shame because when he does put the effort in, he writes some fantastic characters (I’m particularly fond of a certain Polish soldier in one of his previous series). I’d argue that the main navy personnel we meet are the most interesting of the minor characters. CPO Zachary Allen and Captain Heath are great counterbalances to Dave’s planned and past debauchery. They’re straight up good guys, honest when their jobs allow it, courageous, tough, kind and loyal. We only ever see them through Dave’s eyes, so while their characters are never entirely fleshed out beyond an outline and a few acts within their chosen profession of destroying enemies of the state, they still provide a starkly noble image against that created by constant internal monologue of Dave’s ignoble thoughts and general arseholery. What they provide is a standard of action, so that when Dave does right we know it, we have a perspective from which to judge.

The monsters of Emergence are gruesome and violent, their thoughts are brutal, primal and animalistic, their social hierarchy based on size, strength, power, intelligence and a feudal code of honour. The only perspectives other than Dave’s we ever get to see through is that of the monsters he fights, so they’re experienced more than explained. Some will find this irritating, annoyed by the lack of worldbuilding, but I honestly think it’s unneeded and can name a few stories where the exposition dumps about a society are unnecessary and out of place (I love you Bioware, but did you really feel that explaining dwarven society, law and custom and lore to a dwarven noble or commoner would ever not seem awkward?). There are the occasional bits of exposition, but they always feel contextually appropriate and are never too long. The prose is similar. You never feel like a character is using language that they never would, or that they’re misusing a pop culture reference (mind you, if I have one issue it’s that sometimes it feels like there’s too many references in too short a time). At the same time the story is graphic, going into every gory detail of every scene, though like the occasional bit of exposition it always seems appropriate and never out of place. The monsters are vividly detailed, though only when there’s time or need and only from Dave’s perspective (after all, what possible points of reference could a completely alien being use to describe itself?) The fights are usually quick but filled with chewed entrails and exploding heads. I enjoyed it, but I wouldn’t recommend it to anyone squeamish.

Honestly I purchased this book expecting to really enjoy it. I’ve been a big John Birmingham fan for a lot of years now, starting back with his Axis of Time trilogy and going on to his non-fiction work. His books are serious, but always contain an undercurrent of black humour that isn’t for everyone. I remember watching an interview in which he remarked that he still had right wing Americans complain about naming the aircraft carrier from a near future US Navy the USS Hilary Clinton (“after the toughest wartime president in history”), because they didn’t understand that it was just him taking the piss (of course this interview was before it looked like such a prediction might come true). Emergence is not the lighthearted adventure that the simple and very descriptive title implies. But it is self-aware. It knows exactly how unlikeable Dave Hooper is and there’s a subtle wink’n’nudge as it points out exactly how bad the hero is.

Dave Hooper is an arrogant, racist, lazy, selfish, homophobic, chauvinistic, cheating, lying, substance abusing bastard. He spends half the book whining about his lot in life and half of the rest whining about other people whining. He’s never so bad, however, that you want to see him lose. He’s never so bad that you want to see him beaten down, injured or dead like some other protagonists I won’t mention now (SCHADENFREUDE!). He’s never so bad that he stops being the hero.

That’s the clever part about the character. I didn’t like Dave, but I still wanted him to win.

Reflecting on the myth, I expect I’ll always be a Nationalist. It’s who I am.

Back when I was in high school I planned on getting a tattoo. Specifically I planned on getting the Southern Cross, the five stars that adorn the Australian (New Zealand, PNG and Samoan) flag. Probably on my shoulder. Maybe my calf. Not important. Anyway, at the time the idea behind the tattoo was to demonstrate that I was an Australian and, more importantly, proud of that fact. The Southern Cross had after all long been a symbol co-opted by Aussie culture (despite the fact it is visible across the Southern Hemisphere) from the flag flying above the Eureka Stockade to the plane flown by Charles Kingsford Smith on his record-breaking journeys. Then the Cronulla Riots happened.

To my great and continued shame in the weeks before the riot I supported what was going to happen. I’d heard that a pair of surf lifesavers had been beaten up by bunch of Lebs, and I wanted to hear that those bastards got their heads kicked in for harming an Australian icon. A ‘fight’ was planned. Rumours spread a small army of Lebanese youths were going to descend upon the beach so good, honest Aussies better turn up in force. Other rumours said it was going to be a fairly multicultural affair, with Greeks, Turks and even a few ‘good’ Lebs joining up with their white Australian brethren to beat the shit out of those who were violently refusing to assimilate into our culture, our way of life. I may not have participated but I didn’t have a problem with it happening, and for that I am sorry. I was a fuckwit. I strive to be less of one now.

It did turn out to be a multicultural affair, since there was a pretty multicultural range of victims. A few thousand white morons rocked up to Cronulla and proceeded to harass (at the very best) and violently attack (at the far too frequent worst) anybody who looked remotely brown or ethnic, including Greeks, Turks and Lebs, while a thin line of brave police threw themselves in front of the mob. Watching it on the news and hearing the stories afterward you couldn’t help but be horrified at the thought of a bunch of arseholes wearing the Australian flag attacking their fellow Australians in a misguided attempt at avenging the perceived wounding of an Australian icon. Shitheads looking for an excuse to attack folk they already considered un-Australian.

The anger, the resentment, the disillusionment, the isolation of the communities that had been attacked was visible and raw. It was not the first time that nationalism was used to excuse senseless violence, but it was the first time I’d seen it and its results from more than an academic perspective. For someone who’d always associated the national identity with their own, it was a hell of a learning experience.

*****

This past April 25th marked the centenary of Anzac day, one hundred years since thousands of Australian and New Zealand troops landed on the beaches of the Gallipoli peninsula, not even a year into the First World War, at a spot that we’d come to call Anzac Cove. Over the last century the mythology that has developed around Australia’s involvement during the eight month campaign has become a key part in defining the national culture, and I would argue that this mythology is the linchpin upon which most Australian nationalism is built. We don’t have the long histories of art, architecture and enlightenment that many other nations have. We are a young nation. We have our military history, our sport, our bushrangers and then a host of things to be ashamed of like the Stolen Generation and the White Australia Policy. When we have little in the way of widely and regularly discussed positive national mythology to start with, it should be no surprise that what we do have has been latched onto to by the national consciousness. Especially when they refuse to talk about the ‘fun’ parts of colonisation (I’d recommend John Birmingham’s Leviathan: The Unauthorised Biography of Sydney for that) and both pre and post-colonial Aboriginal culture (instead of, I shit you not, the literal bones left behind at a turn of the 19th century butcher’s shop that counted as the ‘Australian content’ of the high school ancient history syllabus).

The key word above is mythology, because make no mistake the popular memory of Anzac Day is far more taken by the stories and legends of the campaign than the actual history. Simpson and his donkey rescuing wounded men until he was killed (he was one of many, but the only one whose name is commonly remembered). The incompetent English landing our brave lads on the wrong bloody beach. The incompetent English soldiers playing a game of football on another beach while our brave lads were butchered capturing Lone Pine (mind you there were plenty of English troops getting butchered at different beaches at the same time as well). The incompetent English officer who decided that the Light Brigade should empty their rifles for a good old fashioned bayonet charge at the Turkish machine guns (actually it was an Australian officer, but that doesn’t make for as good a movie). Aussie troops playing cricket between artillery shells on the rare bit of flat land. Two-up. Mateship. The Anzac Spirit. Humour in the face of adversity. Courage under fire. Service and sacrifice. Warrior larrikins. The baptism of blood from which our great nation was forged or united or whatever. Good stuff. Maybe. Depends.

That bloody waste of life attempting to take the Dardanelles from the Ottomans has become our origin myth, with the Anzacs standing besides the USA’s founding fathers and Civil War leaders, the UK’s Winston Churchill and (literally on the other side of the battlefield) modern Turkey’s Kemal Ataturk as the referential arbiters of the national zeitgeist. We talk about the Anzac Spirit and what the Anzacs fought for with the same kind of conviction that Yank pundits bring to arguments about what Ben Franklin’s opinion on the gun control debate would be. Bringing up the Anzacs is a quick way to add credibility to a statement, argument or ideology. We make bold claims about what they fought for, what they would be ashamed of, what they would be proud of, their preference for lamb over tofu. There are few higher honours than associating ourselves (or our brands) with the Diggers of wars gone by, when we can get away with it. Can’t always, thank god and the law for that. This is of course failing to mention when some bastard on a bus (or train) decides to inform some poor family that the Anzacs fought specifically to keep out anyone not born on the British Isles.

Of course it’s not just the Gallipoli myth that’s used to justify or underpin Australian nationalism. Charles Bean, Australia’s official historian during the Great War, arguably did more to construct the image of the noble Australian sheep-shearer-turned-warrior courteously gunning down Germans with one hand while refusing to salute with the other than any other correspondent at the time or since, and he believed that it would be the battlefields of Passchendaele and Fromelles that would become the great Mecca for Australians coming to pay respects to their honourable dead, not Gallipoli.

Others point out that far from uniting the nation in a baptism of blood the Great War actually did more to divide it, as the reasons for entering the war (loyalty to Britain, the mother country) and the (failed) referendums over conscription split the country along class, religious and ethnic lines (that can more or less be described as “English vs Irish”). It is far easier to claim that the battles of World War Two did far more to unite Australia than the First did. The Siege of Tobruk where the second round of Anzacs earned a reputation for ingenuity and attack dog enthusiasm for a good fight. The Fall of Singapore, which shifted the mentality of many Australians away from “still a far flung British colony” to a nation that couldn’t keep relying on mum and had to start looking out for itself. The Kokoda Track where the Japanese Army was beaten for the first time, by soldiers referred to as “Chocos” because it was expected they’d “melt like chocolate” upon contact with the enemy.

The debate over which conflict should take precedence in the country’s collective consciousness is one argued by nationalists and national leaders. I’ve always been partial to the Light Horse Brigade’s campaign against the Turks in the Middle East myself, particularly the Battle of Beersheba (called the Last Great Cavalry Charge for a reason). Keating tried to push Kokoda as the fight we should focus on during his tenure as Prime Minister. But when I hear pollies talking about which bloodbath we should remember most fondly I can’t help but remember a few of my old history (and geography) teachers, back in high school, who’d joke that since it was a Liberal PM (sorta) that won the First World War and a Labor PM that won the Second neither party wanted to admit the other war happened (I myself am a bigger fan of Billy Hughes than John Curtin, mostly cause I’m a sucker for anyone who takes the piss out of an American President at important negotiations deciding the fate of the world).

Even the brutal battle at Long Tan during the Vietnam War has entered the positive national mythology. Gallipoli is still king though, and that’s not likely gonna change any time soon.

*****

At university ‘Nationalism’ and ‘Nationalist’ became dirty words, usually shorthand for some reactive leader, party or ethnic group responsible for half the unspeakable acts of violence over the last century or two. The “great disease of the twentieth century” as one of my lecturers called it. After all, it was the actions of a handful of nationalists that lit the fuse that started the Great War, and nationalist pride that allowed it to detonate so spectacularly. Or it became shorthand for the very mockable ignorant jingoists who live in perpetual fear of societal collapse, y’know, the kind of folk who took Pauline Hanson’s warning of an Asian invasion seriously, or who recently piled onto streets around the country (with their swastika-wearing kin) because some jackass reckons that Halal Certifications are being used to funnel money to ISIS or some such shit. Fucken ‘Straya cunt. At one point during a course on religion and violence, when looking at religious nationalism, the tutor asked us to raise our hands if we identified as Australians, identified Australia as our homes. Two people did, and one of them promptly dropped it when he found out that not identifying with any nationality, being a “citizen of the world” so to speak, was an option.

I might sound cynical. I tend to sound cynical. It’s part of my sense of humour. I blame my parents for letting me watch too much Blackadder growing up (though you could argue there’s no such thing). The thing is I am a nationalist. I always have been and likely always will be. I was the guy in that class above that kept his hand up (I remember jokingly stating that the rest of them could “get the fuck out of my country”). There was a time when I tried different labels, like ‘patriot’ (which carries its own clichéd baggage), but the substance hasn’t changed. I identify as an Australian first and foremost, and embrace the heritage and history that comes with it. Good or bad. I still call Australia home an’ all that implies. Living across the world on another continent with a different culture, sports and traditions, I have embraced this identity more than ever. I’ve fallen back on my accent, old slang and old profanity more than I even did back home. I talk about it every chance I get. I love Canadian beer, but I use it as an excuse to talk about Australian beer more than anything else. Poutine’s alright, but you really wanna get a meat pie inta yah. Stuff baseball, cricket’s way better. Good god I miss Aussie coffee, as I keep telling people. And thunderstorms. You can bet that when Anzac Day rolled around, I was happy to talk to anyone who asked about what it meant, and meant to me.

Because I’m proud of what I am. There’s an argument against national pride that effectively amounts to “why be proud of an accident of birth?” The fact that I was born in Australia and not some other nation was random chance, why should it matter that was where I came from? Add to this the fact that I’m the son of immigrant parents (my dad was born in Iraq, mum was born in England, they both came to Australia when they were kids), so I don’t even have that strong a claim over Australian history and heritage. I don’t have a grandfather who was an Anzac or a great-great-grandfather who arrived on a convict ship. Definitely don’t have any First Australian in me. But I’ve never felt this argument had much credibility. I am proud of Australian culture and history because it was part of creating who I am today.

I like who I am today, or at least who I try to be. I hope I’m a good person, though that’s for others to judge. I definitely strive to be one. This is because of the people that raised me, my parents, family, teachers and friends. It is also because of the culture that raised me. Like so many kids growing up I sucked up the mythology around the Anzacs every chance I got, and loved every bit of it. Good or bad. The virtues I aspire to are, rightly or wrongly, tied into that mythology. Egalitarianism, giving everyone a ‘fair go’, mateship, generosity, determination, humour in the face of tragedy, grace in defeat, sacrifice. These are all ideas that are embodied somehow within the mythology of Anzac Day. The Anzac Spirit. They might not always be the best virtues to aspire to, but I aspire to them nonetheless.

Now I’m not saying that other countries and cultures don’t produce good, noble, virtuous people. Nor that our mythology has a monopoly on any of those things above. I’m definitely not saying that Australia and Australian nationalism hasn’t produced more than its share of cunts (see the story at the beginning). That would be fuckin’ stupid. I am simply saying that if I can be called a decent person (and as I said, I hope I can), I can be proud of the people, places and culture that made me that way. I can be proud of my identity.

About six months to a year after I raised my hand and got a few laughs telling everyone else to fuck off, a friend from that class brought it up in conversation. At the time, she said, she’d felt like she was closer to being an Italian than an Australian, identified more closely with her family’s heritage than with that of the country she’d grown up in. This changed after actually going to Italy and learning, explicitly, that she was not Italian. After that, she told me, if asked the question again she’d raise her hand. She’d come to the conclusion that she was an Aussie. It was not her whole identity, she was not a nationalist, just that she identified as Australian.

*****

National myths, especially the ‘origin stories’ as I’ve heard them called, are often problematic. They’re often bloody. There is the mythos around first the Revolution and then the Reign of Terror from which Modern France was born. The long, bloody civil war in China against the Kuomingtang and Japanese invasion that ended with the Communist victory. The US Civil War which divided the nation then sort of united it. Kemal Ataturk’s successful defence of the Dardanelles against the Entente invaders, as I mentioned above, and the rise of the Young Turks as the Ottoman Empire collapsed and the Turkey we know and love emerged.

It seems you need a “baptism of blood” to inspire a nation’s existence, self-worth, values and purpose. Dumping a bunch of crooks onto a beach (guarded by another bunch of crooks) and telling them to build a city, or a bunch of old white men convincing other old white men that maybe life would be easier if everyone on the continent shared in a common defence, immigration laws, currency and rail gauge doesn’t exactly excite the popular imagination the same way that a brutal assault on an easily defined ‘other’ for politically malleable reasons, full of daring do and a healthy dose of sacrifice. As I said, we haven’t got much else well-known history that isn’t a dark stain on our national soul.

As far as these baptisms go though, the Gallipoli campaign and the legend of Anzac isn’t too bad. Yes, they don’t really provide us with the cast iron legal foundations upon which our nation is built in the same way that The Revolution gave France “Liberté, Equalité, Fraternité”. But the mythology also doesn’t carry around the same sort of baggage that many other nations and cultures have to (or refuse to). Not like the problematic aftermath of the US Civil War, where the courage, bravery, sacrifice and determination of the Confederate soldiers defending goddamn slavery is still honoured by Americans on both sides of the line. And, while definitely not all angels, the Anzacs certainly don’t carry the weight (or have to live in denial) of a genocide round their necks like the Young Turks do with their treatment of hundreds of thousands of Armenians, Greeks and other ethnic groups. (Of course there is far, far too little official recognition of the Frontier Wars that plagued the Black Australia pre-and-immediately-post-Commonwealth during white settlement and expansion, something that needs to be fixed).

Both the strength and weakness of any mythology is that it is open to interpretation by the popular conscious. Anzac Day certainly has its problems, like the glorification of war, the often one-sided hagiography of our returned and fallen servicemen and women, the commercialisation of commemoration, and the militarisation of Australian culture far too frequently used to create, justify and enforce a dangerous attitude of ‘us versus them’. But we can also use it do great good as well. It’s taken us long enough to admit that there were probably a fair few Aboriginals in the ranks, and that when they returned they were probably treated almost universally like shit (taking us another fifty years before we stopped treating them as part of the local fauna), but whose general experience of army life was one of equality of pay and treatment. It’s a history that can push a simple message through the thick skulls of white Australia: if the Diggers didn’t have a problem with indigenous Australians, then how bloody dare you? Well, it should be simple. One day we’ll get there. Then one day it might not even be needed.

Deconstruction of the myth is a necessary thing, and there are many great examples floating around academia and journalism worth reading. But reconstruction should not be ruled out if it can be used to promote the best values of our culture. We learn from history, but we’re inspired by legends. We need to make sure we’re inspiring people in the right direction.

*****

The non-Australians I’ve met and know are frequently surprised by how we act on Anzac Day. Yes, there is commemoration, as should be expected of the day but there’s just as much celebration. We mark Anzac Day with drinking and gambling, going to the pub to play two-up, punctuated by moments of contemplation. So different to the sombre ceremonies and minute of silence on Remembrance Day. I’m not entirely convinced this is a bad thing. It might seem disrespectful, but isn’t a healthy irreverence one of those traits that we, ironically, revere about the legendary Anzac? We’re certainly quick to step in when someone comes off as overly disrespectful, and it keeps things in perspective. We celebrate the lives of those who went to war for us, still put the uniform and still go to war for us, rather than mourn the dead. It keeps the focus on those who fought for us and still fight for us, rather than on those we fought. War is hell, but peace is great, and most of us have been able to only enjoy the latter because a few have suffered through the former. Maybe it still sounds disrespectful, maybe I sound disrespectful, but I don’t believe that’s the intention. I think, at worst, it’s the only way we know how to do things.

Is that a problem? Maybe. I don’t think so. But I might be part of that problem.

*****

I know the dangers of nationalism. I know the problems its caused. The wars it’s started. I’m not trying to excuse it. Simply trying to explain my own.

I didn’t get that tattoo. There were more than a few marking the skin of those draped in Aussie flags slinging racial slurs and informing the world that the Anzacs fought for Cronulla Beach, that the Lebanese had no right to come and interfere with an imagined social order. The Southern Cross tattoo, at least in Sydney, found a secure place on the uniform of the angry, discriminating Bogan. I’m not saying that everyone who bears that icon is a racist, they’re not, I know plenty who aren’t, it would be ridiculous to make that claim. But in my mind and those of plenty of others including the members of my Middle Eastern, dark-skinned dad’s family, it became part of the stereotype of the ignorant, racist bastards that make their presence known every so often in the worst possible ways. It’s not the worst part (the violence and abuse that makes people feel like outsiders is), but the fact that they try and legitimise the behaviour, legitimise the hate, with a claim of defending Australian culture, the Australian way of life, leaves me angry.

Because I’m an Aussie nationalist. I love the positive parts of that heritage, accept the bad, apologise and promise to always do better. To accept everyone who looked at Australia, or even arrived without knowing better, and decided it seemed like a decent place to live.

A decent place to live, which we can be proud of. That might not be what the original Anzacs fought for, that might not be what our current Diggers fight for. But it’s something I ascribe to the myth. That’s what I drink to on Anzac Day.

Hope that makes sense.

Thoughts and prayers with those currently serving, and those that have in the past.

Quick note: this is not an academic article or an extensively researched piece of writing. Mostly I’m just working off memory. There’s probably more than a few factual errors, and there are a definitely a few half-truths. This is a personal opinion piece, and no disrespect was intended towards most of the folk (live or dead) I mentioned in this post that I didn’t refer to with profanely. I have a sarcastic way of writing and talking.

It’s just not cricket

Something I did not expect when I left Sydney for Vancouver was how much I’d miss Australian sports. This would surprise more than a few people who know me, since I’ve never been much of what you’d call by any stretch of the imagination a sportsman or sports fan. Sure I’ve played a little bit of backyard cricket and tossed the footy around with some mates and still enjoy doing both, but I’ve never been part of any organised sports team and never been particularly capable of the catching, kicking, throwing, batting or tackling required by most games. Watching games, tests and matches has similarly never been high on my list of priorities. Sure I watched as the Dragons won the Grand Final a couple of years ago, grab a beer and watch NSW and Queensland battle it out for State of Origin, woke up to watch more than a few of Australia’s matches in the FIFA World Cup, but honestly sport has always been more white noise than anything else for me over the years. Cricket or Union on in the background at barbecues, AFL or League on the TVs at the pub, Soccer generally around and about. Really I only paid enough attention to have a rough idea what was going on and be able to hold a conversation with my more athletically minded fellows. Hell, I only went to my first cricket game a few months before I climbed onto the plane to come here. White noise. But goddamn do I miss it.

This became particularly noticeable when the ICC Cricket World Cup came to its (inevitable) conclusion, as Australia beat New Zealand by 7 wickets to claim the trophy. I was working during most of the match, on a long shift crowded with customers getting a bite to eat pre, post and during first a Whitecaps game (soccer), than a Cannucks game (hockey). With my phone not working how it was meant to (the bastard), and the local sports filling the screens at the restaurant where I find gainful employment, I was unable to check the score until I arrived home late in the evening (well, the wee hours of the morning technically). It was probably the most anxious I’d been about a score, count or tally in any sport into which I take an interest in a very long time.

It was also the most I’d spoken about sports in a very long time. In the days immediately before (and the day after), I took every chance I could get to explain the rules, mechanics, scoring, sledging and rivalries of the game with an enthusiasm that would have made several of my mates proud. This was odd because, while I was never one of those people who always needs to inform everyone that “they don’t care about sports,” I’ve never been one for holding extended conversations about the subject. Religion, politics, economics. TV, video games, movies, music. These have always been my preferred topics. Yet there I was the day after the final gleefully explaining overs and runs to a co-worker’s boyfriend so he’d understand what was happening while the highlights played on the television above the bar (as well as the co-worker herself between customers). I’ve barely spoken at all about the shows I’m watching, the games I’m playing or the political situation around here or at home. What I have spoken about is cricket. And rugby. Oh, and beer, but that’s for another post.

I can’t help but wonder if I’m simply trying to fill a void left by moving outside the usual sphere of influence of Aussie sports. It’s hard to overstate the importance of sports in Australian culture. In many ways sports is Australian culture, underpinning both national and local pride and unity. Hell, we love our sports so much we actually care about our women’s teams (and isn’t it just disgusting that we as a general culture still think so lowly of our female athletes that this can be seen as a serious measure of how much a nation cares about athletics). While they don’t receive nearly as much respect, funding and support as they deserve, we still actually give a shit about how the Opals, Matildas, and Hockeyroos are doing, unlike some other countries in my, albeit limited, experience (*cough*). Wearing the Green’an’Gold and representing the Jack’an’Cross* is about the highest honour one can achieve. It saturates every day life, it’s what we talk about, it’s what we watch, it’s what we do. It’s funny how many conversations with Aussies I’ve met over here have devolved into discussions about sports back home. It’s what we have in common. Leaving that, going to another country with different sports on the television, while not jarring, has left a noticeable absence in what I was used to. Instead there’s ice hockey (just called hockey over here apparently).

But it goes beyond just a difference in what sports are on the TV to the talk itself. I’ve found there to be a focus on statistics at a level never reached when talking about Australian sports. We certainly quote possession, test averages, tackles, shots at goal, shots stopped, wickets and anything else that can be counted in any of the sports we care about, but since I arrived I’ve heard numbers spat out about this player or that team at a rate that has stunned me. Seriously, it’s fuckin’ crazy mate. I suspect it might be partly because of the presence of ‘fantasy’ teams (hockey, baseball, basketball, football, whatever) which relies upon those statistics in order for the owner (or whatever they call themselves) to win. The closest comparison I can think of back home is footy tipping, and even then that always struck me as more a collection of guesstimates and evolving biases. I’ll admit that it doesn’t help that when I do hear people discussing plays or strategy I rarely have a goddamn clue what they’re talking about. Regardless it often feels like the games played over here are boiled down to a collection of numbers representing some average effort rather than the effort itself. And there lies the key difference, in my very humble opinion (seriously, I don’t really know shit about this), between how Aussies and Canadians/possibly-North-Americans-in-general discuss sports. In how we discuss effort.

Aussies really do take the whole “it’s not whether you win or lose but how you play the game that matters” idea very seriously. Of course we like to win, results matter, but we also understand that not all our athletes are the best in the world at what they do. Losing to a superior team/athlete in a fair match despite giving it our all is still something to be applauded. Just look at how proud we are of the Socceroos efforts at the past three FIFA World Cups (and outrage at the perceived unfairness of the treatment of the team at the hands of those arseholes at FIFA). Not that we don’t like to win, and constantly losing at something can become a drag (just look at the NSW Blues up until last year, or the Wallabies). But a brutal tall poppy syndrome generally means that we’d rather watch a team give it their all and lose than win without trying. And few things will piss an Australian off than someone who doesn’t think they have to try (just look at the anger towards the Australian Men’s Swimming Team at the London Olympics, James Magnussen became the butt of more than a few jokes). So when we talk about sports, when we talk about the cricket, we talk more specifically about action and effort. Mitchell Johnston’s brutal bouncers, Michael Clarke’s continued play despite an injured Hamstring, Mitch Starc’s left handed variations throwing off batsman too aggressive or too tentative. The usefulness of Haddin’s aggressive sledging and New Zealand’s apparently disconcerting respect and politeness. Yes, we have our own statistics, but it’s more like the empirical evidence used to back up an anecdote rather than the anecdote itself, like what I feel like I hear when people talk sports in Vancouver.

Thing is though I’m not saying that Australian sporting culture is any better or worse. Just different. Not what I’m used to. Like a different language. Given how pervasive sport is in Aussie culture, and given that I’m the sort of person who’s always participated to some small extent in that sporting culture (even if it was just watching and listening), it should be no surprise that the difference would be noticeable.

What does this mean? Well it means that while I enjoy hockey, and I do enjoy hockey (it’s fast-paced, constantly shifting and violent, what’s not to like?), I’ve been unable to develop much of an emotional connection to the game. I don’t much care who wins and who loses. At least not because of any of the people I’ve discussed hockey with. I am a bit partial towards Boston, because I’m a bit of a Celtophile and an old fan of Boston rockers the Dropkick Murphys, but I don’t mention that much since it seems like Boston are some sort of arch-nemesis in Vancouver. Which doesn’t make a whole lotta sense since most of Vancouver seems to take a pretty mercenary attitude towards teams, supporting other teams and only supporting the Cannucks when they’re winning. Yet they seem to maintain a rivalry with everyone except, I don’t know, fucking Winnipeg. Starting to rant now, best stop before I really get started.

Anyway, hockey’s fun to watch. But I just find myself unable to really care what’s going on. It’s unfamiliar. It’s just not cricket.

*God help me that will become slang for the Aussie flag before they decide to change it.

On Crank, its electric sequel, Saints Row and Sunset Overdrive

Scan SO, SR, Crank Edited 23:3:15

Late one night a few years ago I was awake with one of my sisters channel surfing, looking for something to watch. General tiredness at that moment and the passage of time now mean that I have no idea how it happened, but we ended up finding and watching through to the end Crank: High Voltage, the 2009 sequel to 2006’s original Crank, both of which starred Jason Statham as a hit man with heart problems trying to both survive and get revenge. The film was absolutely batshit crazy, with more than a few moments when my sister and I exchanged a look communicating a mutual feeling of “whaaaat the fuck?” While my sister always refers to it afterwards as “that shitty movie we watched” I quite enjoyed the fucking ridiculousness of it all. Just as importantly it was something of a bonding experience for us. So when I saw the original and the sequel recommended by Netflix nostalgia and memory meant that I had to watch both films again.

At no point am I going to call either film a great movie. The dialogue in the first film relies too much on profanity and in the second relies too much on profanity and bad cockney rhyming slang rather than anything easily defined as wit, and both films are a bit to quick to jump towards racial, sexist and homophobic slurs. The acting often swings past simply campy towards bad, the rare CGI effects are lousy (though the practical effects are fun and look great), and you are constantly required to suspend your disbelief. The plots are simplistic, predictable and far to reliant upon exposition dumps. But, throwing a constant stream of ridiculous balls-to-the-walls action at the audience, the films are ridiculous good fun. In the first movie the protagonist is told explicitly that if he stopped moving he would die and the entire film takes this advice to heart, constantly dreaming up wacky scenarios and throwing out crazy stunts to keep our attention lest we be distracted by something shiny if the action slows down.

And both movies know exactly how ridiculous they are. Jason Statham plays, well, the same character he always plays (the characters might have names in the movies he plays, but have you ever referred to them as anything other than Jason Statham?) but he plays it with a surprisingly subtle straightness. As if he, like the audience, recognises exactly how batshit crazy everything happening around him is but just rolls with it regardless, forcing us watching to do the same. In doing so both movies also show that they know exactly how much like a video game they are. In the same way that a gamer simply accepts whatever thin plot is used to justify the mechanics required to keep the game fun and interesting (if they bother with a plot justification at all), Statham’s Chev Chelios responds to the various plot points with an “alright then.”

It goes further though. There are direct allusions to video games of course (the beginning of High Voltage is an 8-Bit version of the end of the first film) but as a gamer it was within the tone and pace of the action that I noticed it most. The way that Statham realises the need to keep his adrenaline pumping in the first film (followed by a confirmation from his doctor) is reminiscent of a tutorial level, and it is not hard to imagine an ‘Adrenaline Meter’ hovering in one corner of the frame as we watch him outrun the police driving through a shopping mall, or collecting power ups as he seeks out “High Voltage” signs and stickers in the second film. His habit of cutting through levels of grunts and seriously outclassed mooks before getting into a ‘boss fight’ was choreographed in such ways that I was half expecting the button prompts of a Quick Time Event to start flashing on the screen. Then of course there’s the ‘level’ like scenes, so that across the two movies we get moments akin to the ubiquitous stealth section, driving level, rooftop level, warehouse level, nightclub level, platforming section, (a very God of War-like) romance ‘achievement’ (NSFW, neither of them), escort mission, etc. Everything except a water level (which I expect will be the focus of the eventual third film in the franchise, Crank: Dehydration). Even the opening scenes showed a striking resemblance to common video game tropes (how often has a protagonist awoken in their home – or a strange location – before being given an info dump so the player knows the basic context? Or, maybe even more commonly, woken up in a mysterious hospital bed after catching brief semi-conscious glimpses of being operated on?)

Ultimately the Crank films are movies that try to act like video games, surprising given that it is often the other way around. Even more surprising given that I’d say it’s successful. I think where Crank and High Voltage succeed where other movies meant to look or feel like video games fail is that rather than attempt to simply replicate a particular visual style or theme these two maintain a very video game like tone, pace and structure. What semi-surprised me was that, while watching both films, I thought of two games in particular: Saints Row: The Third and Sunset Overdrive. Semi-surprised because, as I thought about it before beginning writing this, I didn’t think of more ‘cinematic’ games like the Grand Theft Auto series.

But it makes sense. Like the Crank films, Saints Row and Sunset Overdrive are cartoonish, humorous, unrealistic, immature, and varying levels of self-aware. SR‘s Boss (the player character) is, like Statham, pretty relaxed about the insanity they get up to, not questioning the inherent ridiculousness of, for example, driving a tank out an airplane and landing on an island covered in zombie gas. Or discovering massive cloning facilities while fighting their way up a massive skyscraper (before riding a giant sphere down said skyscraper directly onto the head of their enemy). SR:3 is self-aware enough to know how crazy everything is, but simply goes “why the fuck not?” and rolls with it. SO takes it further, frequently breaking the fourth wall or joking about the implausibility of various game tropes like long distance communication (“Don’t question how we deliver the story!”) or death (“You might [die]. I’ll probably just respawn over there!”) or plot (“How convenient…”). Given the sorta punk rock soundtrack and focus on keeping moving or dying in SO it wouldn’t surprise me if it’s channelling a bit of Crank itself.

More importantly, both games encourage constant movement and action to remain fun and exciting. SR:3 actively encourages the player to car-surf, drive on the wrong side of the road, perform aerobatic stunts, blow up the game universe’s version of the Smart Car, and stylistically bludgeon or machine gun through anything that gets in your way. Like the original Crank, SO tells you to never stop moving, because if you stop you die. While you jump, grind, bounce and wall-run through the city you’re relatively safe, something further reinforced by the awarding the player points for travelling stylishly. Staying on the ground, attempting to stop and use cover, or some other common mechanic in more ‘realistic’ shooters is a quick way to get overwhelmed and die. Both games provide a large sandbox environment, enough plot and context to provide an excuse to go batshit crazy, then encourage you to do just that.

The result is that they hold your attention. They keep you playing, trying different things, beating scores, beating down enemies. SO was the first Triple A video game my other sister finished in years (perhaps ever), simply because it was the first game that managed to draw her full attention for long enough to complete it. She’d stopped playing SR:3 simply because SO had just come out. If I was introducing someone to gaming these two are amongst the games I would use to do so.

That’s why the two Cranks work so well in my mind, they’re films driven by the mechanics of the world, accept that fact, and see how much fun shit they can do with it. That’s why, in my mind, they might not be great films but they’re great fun and great examples of how to make a film like a video game.

Keeping faith in Dragon Age: Inquisition, Part Four: Reflecting on the story and why it matters

So the developer is god, the story appeals to the faith of the player in the game itself, when Bioware’s writers cribbed off history they did so with a deeper appreciation for the place of religious institutions within the societies it mimics.

At the end of Part Three I claimed that the most important story mechanic was the player’s control over the Inquisition, over control of the institution into which people are able to place their badly beaten faith. The game says this at times directly (there’s a line from Mother Giselle that “an army needs more than an enemy, it needs a cause”) and at other times with thinly veiled metaphors. The cut scene in which the formation of the Inquisition is announced to the world involves Commander Cullen nailing the proclamation onto the door of Haven’s Chantry in a way that is reminiscent of the popular image of Martin Luther nailing his 95 Theses to the door of the church at Wittenburg (and the popular image of the beginning of the Reformation).

While the Inquisition is initially declared to be a heretical organisation by the surviving Chantry hierarchy, it becomes more or less an institution of change and reform. While the game certainly provides the ‘evil’ option of “doing it for the [personal] power” the Inquisition still tends to provide a net positive to the world’s major institutions by simple involvement in the various conflicts going on. Following in the footsteps of other Bioware RPGs you’re given the opportunity of making decisions big and small, but almost all of the big decisions in DA:I have world shaking consequences because they effect one or more of the major institutions of Thedas. Do you choose to side with the Templars or the Circle of Magi? Whichever one you decide would have far reaching implications for the people of the land. If you choose the Templars, do you disband the centuries old organisation (removing a trusted constant from the continent) or do they become partners in an alliance? If you choose the Circle are they heavily indebted allies or prisoners (continuing the cycle of leashing magic users). Do you choose to allow the Grey Wardens the chance to atone and rebuild, or banish them from southern Thedas? Who will sit on the Orlesian throne? Who will sit beside/behind the Orlesian throne? Who will the Inquisition support as the new Divine? Cassandra the reformer, or perhaps the far more traditional Viviene?

Decisions, decisions... so many exhausting decisions.
Decisions, decisions… so many exhausting decisions.

Our decisions have (as far as the game itself tells us) long-reaching consequences for the lands and people of the Dragon Age world, how we make those decisions depends on how we interpret our characters personality and where their faith lies. My Inquisitor found herself willing to forgive the Templars who had been fooled by a demon doppelganger, but banished the Grey Wardens who had so willingly started using blood magic. She supported Empress Celene in the Orlesian Civil War but installed the elf Briala at the Empress’ right. And she honestly gave no shits about who would become the new Divine of the human Chantry, but was glad for her friend when Cassandra was named (in the epilogue).

So, why does it all matter? Because it allows for better understanding of the past, present and future by providing a reasonably understandable point of reference for people to understand. I’ve already mentioned my belief that video games provide a valuable resource for teaching today’s youth some important ideas and concepts (some educators are already doing exactly that). This falls under the same principle.

Let me use the Crusades as an example. Ask most folk for the causes of the Crusades and they’d probably respond with some combination of religious fanaticism and using religious fanaticism as an excuse for conquest. Recent arguments I’ve heard though was that it was the delayed response to centuries of Muslim conquest all the way up through Spain to the gates of Christian Europe. The release of many decades of anger after watching what had been the Christian Middle East and North Africa conquered by the heathens who were stronger and more advanced, and the feeling of impotence that would have come from being unable to halt Islam’s advance. It was a response by the faithful questioning why God was allowing the unfaithful to inherent the earth and deciding that it must have been because they had to work for it. Now when a lot of scholars talk about the roots of modern Islamic terrorism they say some very similar things, that it is a response by the weak and disempowered faithful who have spent the past four centuries watching the ascent of the Christian West, who have then proceeded to conquer, divide, puppet and generally mistreat the Muslim world which a few hundred years ago dominated the world. And if someone who’d played DA:I asked me explain the situation using a literary example, I’d talk about how easy it was for the Elder One to recruit from the disenfranchised citizens of Tevinter surrounded by decaying symbols of their own lost glory, worn down by centuries of conflict with the technologically advanced Qunari and bad blood with the rest of the continent (and their former possessions), reasonably sure that they’d understand what I’m talking about.

When discussing something as emotionally subjective as faith, being able to understand through experience is key. By appealing to the player’s faith in the game like Bioware does in DA:I, it allows the player to empathise with the character’s crises of faith better, and understand the emotional responses by those characters towards the institutions that held their faith. Understand the emotional responses to our treatment of those institutions. The faith of the player in the game, regardless of how they are playing, is both challenged and reinforced. As I said, it provides a point of reference that reflects the real world. It allows us to better empathise with people around the world and the issues that arise from their faith, treat them with the respect they deserve instead of dismissing them outright for placing that faith in something we disagree with.

Understanding all the issues and views involved in a problem is the first step in solving it. I don’t expect playing Dragon Age: Inquisition will fix the world, but anything that adds positively to the cultural zeitgeist helps. But, shit, I’m an optimist.

Alright folks, I’m gonna end it there. Thanks for reading. I’ll find something else to talk about.

Three weeks in Vancouver

The crowd is mostly silent as I watch my opponent from two feet away. The (somewhat generously titled) referee makes a joke, says “ready” and we each raise a fist. I’m a competitive bastard at the best of times and I right now I want to win. I’ve already beaten one opponent, I need to do it again. The ref raises his hand and yells into the microphone “ROCK, PAPER…” they trade the name of the bar, Beaver, for SCISSORS and we players reveal our choices. Best three out of five, and I win the first game. We repeat the process and after a few tries I take the second game, though our ref announces it to be one-one. “What?” I have time to think but not say because we’re already into the third. It’s longer than the first game but shorter than the second and I win it regardless. The referee says two-one, his associate says that I’ve just made a three game sweep. My opponent seems to agree. There’s a moment of quiet confusion, then I raise my hands regardless and cheer for my victory. Eventually everyone else runs with it and I shake hands with my opponent. I’ve made it through the first round, fought through a ‘threesome’ where everyone else only had to beat one opponent. I get a shot for my sweep win, tequila and Tabasco sauce. It tastes like victory.

It doesn’t seem to be getting any warmer, but at least the past fortnight or so has been sunnier. I’ve got a job now, and the patio’s been opened up to allow the still warmly dressed locals and occasional tourist the chance to have a beer and burger beneath a smiling sky. One customer made a comment about the risk of sun burns, and I had to bite down on my urge to check my phone for some holiday photos while growling “That’s not a sunburn…”

I might be imagining it but there seems to be fewer beggars and more buskers out on the street, though maybe that’s simply because I’m noticing more of the homeless singing for their supper (metaphorically and literally). Everyone’s an artist, or at least think they are. There’s a half-finished chalk drawing of Christ on the Cross, ironically ugly as sin in its incomplete glory, on a corner near Granville Skytrain* station. I wonder if the guy was chased off, got bored and went to a different corner, or simply thought it was done. For a few days in a row there was homeless guy strumming away on an old guitar also near the station. Every time I walked by he was playing the same tuneless melody, into which he’d ram the lyrics of different songs with a few nonsensical flourishes. His covers of Folsom Prison Blues and Sunday Bloody Sunday were particularly notable. Some of the people on the street playing guitars or selling sketches are genuinely talented and seem to have a regular, established place along the side walk. Others you see once or twice then never again.

Side note, I saw a girl wrapped in a blanket with a cardboard sign asking for spare change. Young girl, early twenties at most. Thing is she had amazing hair. Long, thick, silky, a little wavy and nicely coloured (bronze blonde layered over rose). The kind of hair that random strangers must just start brushing their fingers through. Just thought I’d mention that.

The toilets still bother me. It shouldn’t be this hard to take a quiet piss and some of them still don’t carry everything down the pipe. The cars don’t so much anymore. I don’t know if I mentioned it last time, but the fact that most pedestrian lights don’t make a sound is a bit irritating. Aside from how easy it is to look away for a few moments then look back to realise you’ve missed the white walking man and are already onto the flashing red hand, I can’t help but wonder what blind people do when they’re trying to cross the road. Something else that’s grabbed my attention has been the birds. The seagulls are substantially larger here, and there aren’t Indian Mynas scrapping for territory with magpies and lorikeets. The big difference has been the crows, loud, mean and jet black, but more easily frightened than the dumpster diving Australian White Ibis back home.

I’ve worked a lot of shifts lately, and I haven’t had as much time to do as many fun things as I’d have liked. It’s been indicated that as summer approaches and more people get hired the number of shifts will be reduced. I’ve still managed to head out on occasion, a whiskey bar on Commercial Drive or a seafood restaurant on Granville Island. The above mentioned game of Rock, Paper, Scissors. I won the second round, against my German housemate who I’d gone to the bar with. Lost in the quarter finals to a Californian. There was a bit of mockery from the guys running and I played along, swearing back merrily. At the end of the night I was surprised when they thanked me for being a good sport, though I then realised that there were likely more than a few people who’d take their ribbing far too seriously.

There are other things I still need to find the time to do. Go and see a hockey match (not hard, the Cannucks seem to play at least one local game a week), find some baklava in Northern Vancouver. Check out a bit more of the night life. Generally meet more people. Thankfully Vancouver is a very liveable city, and as the days get longer it should become easier to have a proper life outside of work. After all that’s why I’m here.

*Can I take a moment of your time to note how pretentious it is to call it a Skytrain? ‘Cause it’s pretty fuckin’ pretentious.

Keeping Faith in Dragon Age: Inquisition, Part Three: So what’s it all about then?

Sorry this took so long folks, but here is Part Three. Part One can be read here, Part Two here.

So, we’ve established that the developer of DA:I is the ‘god’ of the game and that appeals to the player character’s faith in-game are also appeals to the player’s faith in the game. How does this relate to the story, politics and lore of the game and the world within? Well, let’s talk a bit about faith first more generally, in real life and in the game.

A few years ago, back at university, I found myself doing a course with the rather self-explanatory title ‘Christianity in Medieval Europe.’ It was a good course that covered everything from the iconoclastic debate, various heretical movements, the inquisition, Christianity’s evolving relationship with Islam, academia and scholarship, and of course the history of the saints. By the end of the course there were two things that really struck me, however. First was how fun it was to be able to use the word ‘flagellate’ in casual discussions (and I got to use it a lot). Say it with me, flaj-ell-ate. Fantastic. Second was that we still have a very low opinion of medieval Christians, one that comes from some very modern yet very old-fashioned misinterpretations of the reasons for faith, ritual and religious institutions in the Middle Ages. The assumption tends to be that Medieval Europeans were a bunch of ignorant flat-earthers who answered every question with “God did it!” or “because the local priest told me that’s what the scriptures said happened!” and whose lives were, as a result of this stupidity and blind piety, “violent brutish and short” (to use an overused quote). The reality was that this, for the most part, was simply not the case. Unless of course you were a Viking. Then it was a life goal.

The reality was that they either knew the world was round or would have responded to an explanation as to how we knew with the tenth century equivalent of “Well, that makes sense.” The reality was that for those Medieval Europeans the church and religion had less to do with answering how the world works in what we’d now define as a scientific sense and more to do with where their place in the world was. Categorisation instead of explanation. This is us (because we hold these beliefs to be true and perform these rituals), that is them (because they hold those beliefs to be true and perform those rituals). Social cohesion through the creation and/or enforcement of social norms. This behaviour is correct and righteous, that behaviour is wrong and sinful. The power of the church came in its power to codify or legislate the social norms affected by the belief and faith of the populace, because it controlled the rituals and ritualised elements of that faith. To take a quote from Mary Douglas’ classic book Purity and Danger (which I’ve been messily paraphrasing), “As with society, so with religion, external form is the condition of its existence… As a social animal, man is a ritual animal… Social rituals create a reality that would be nothing without them. It is not too much to say that ritual is more to society than words are to thought.” The religious institutions established a particular world view, a particular reality, and our divinely ordained place within it. This did not make Medieval Europeans stupid, it made them human.

That is what the folk over at Bioware seem to understand, so when they cribbed heavily off of Medieval European history (and they did crib heavily) they were able to do so at a very deep, conceptual level. The Qunari, for instance, may not seem superficially similar to the Islamic world in the Middle Ages (there certainly aren’t any Arishoks running about saying “there is but one God and Koslun is his prophet”), usually seeming more Asian in influence (pulling from Buddhism, Confucianism, Taoism etc), but the Qun guides all parts of life and government in a way that would have impressed Muhammad (peace be upon him). The apparent stagnation of the Qunari  (they have gunpowder, but don’t seem to have advanced beyond basic artillery and bombs for centuries) is similar to the stagnation that eventually brought down the Ottomans. Similarly, the endless war between Tevinter and the Qunari is reminiscent of the Byzantine Empire’s piecemeal conquest by the technologically superior Muslims (their frequent battles for control of Seheron remind me of the various battles for Crete). The division of the Chantry between the Tevinter Imperium’s Black Divine and the rest of Thedas’ White Divine (based in Orlais) based on different interpretations of a specific passage (regarding magic), just how divine the prophet Andraste was, and a refusal to accept each other’s authority resembles the divisions between the Eastern Orthodox Church (and the Patriarch of Constantinople) and the Western Catholic Church (and the Bishop – Pope – of Rome). And of course Fereldan and Orlais are very obvious analogies of England and France (and their respective relationship with each other). Antiva is Italy, Nevarra is Spain, the Anderfels are Germany or Switzerland.

But all this is on a Macro level. On a micro level, they understand how people’s faith in god or the institutions that call upon his/her authority can be harnessed for good or ill. A lack of faith in the Chantry to protect them from the abuses of the Templars led to the Mage Rebellion. A feeling that the Chantry was taking them for granted led to the Templar Order also rebelling. Disillusionment amongst the soldiers fighting for the Empress or Duke in the Orlesian Civil War led to the rebellious ‘Freemen of the Dales’. The game’s main villain is able to gain so much support from Tevinter’s fringe nobility because he promised to halt centuries of decline and return the Imperium to its glorious and glorified past. It is understandable for Iron Bull to be a little disillusioned with the certainty of the Qun, even at one point joking about their religious leaders had been trying to explain why the Qunari hadn’t been able to conquer Thedas for centuries. Sera despises the institutions of the nobility and priests, and acts to get even with those who step on the little people, but recognises the futility of some grand revolution. Cassandra’s discovery of the Seekers’ secret history rocks her world view so severely because it disrupts her faith in the institution she’d pledged her life to. History is full of the disenfranchised striking out against the forces that had previously controlled their faith, and almost by default their lives.

The power given to the player in DA:I, the core story mechanic for much of the game, is not the magical Anchor on their hand but their control of the titular Inquisition. The Inquisition fills a vacuum of power, seeks to actually re-establish order and stability, and fix apocalyptic hole in the sky. It provides a new institution into which people are able to place their severely shaken faith. The player is able to then influence how that faith is harnessed, and shift the order of the world.

How this works in the story and why it all matters will be explained in Part IV. Just one more, than I’ll talk about a different game guys. Promise it won’t be as long coming.

Three nights in Vancouver

It was a little bit past 9 o’clock in the evening when I found myself walking awkwardly beneath the picturesque streetlamps and fairy-light covered trees that line the streets of historic Gastown in Vancouver. Awkward because I was increasingly desperate for a piss. Really desperate, pounding the pavement with a short, angry strut and swearing at myself for failing to go before I left the bar. I still had the presence of mind to pull out my phone and take a quick snap of a particularly pleasant stretch of streetlamps and trees for an aunt back home. It was my second night in Vancouver, and Sydney so far is still home.

I arrived at around 8am local time on Tuesday morning, having managed to nap for just half of one in a fourteen hour turbulent flight straight from Sydney to Van. The Skytrain (unfortunately not what it sounds like) ride to a few blocks from my hotels filled up very suddenly after three stops. Everyone was polite, silent, a little suspicious, mostly avoiding eye contact, same as other commuters around the world. I decided the best way to deal with the jet lag was to just stay awake, explored a little during the day, went to a bar in the evening for a burger and far too many beers. Nearing forty hours without anything resembling a proper sleep I finally managed to drag my drunken arse into bed. Slept for eleven hours, lacked the strength to get out of bed for another two. Hangovers and jetlag are a potent combination. Three nights into my adventure and my body is slowly catching up. Sydney is nineteen hours ahead, which makes Vancouver five hours ahead yesterday. It feels like I’m going to sleep at 7pm and waking up at 2am. That’s not too bad. What’s really got me fucked is that my eating patterns are just as broken, which is leaving me hungry at 1am and isn’t helping the lethargy. I’d guess that doesn’t sound like much, but I’m better tired than I am hungry. I’ll get over it in time, but still.

By the time I left Gastown I was seriously wondering what the opinion in Vancouver was for people who piss in alleys. Honestly amongst the youth in Sydney it’s not a big deal, you just find somewhere secluded and everyone looks the other way. I know that sounds disgusting, but when you’re desperate you’re desperate. I had tried taking my attention off my screaming bladder by admiring the light works casting conflicting shadows across the shop fronts. Half a dozen glowing orbs growing from long black stalks like the well-ordered fruit of the gods, I’d think later pseudo-poetically. This became more difficult when I left the picturesque streets of Gastown and began my ascent into the working streets of Downtown.

The weather the past two days has been damp and grey. As I stare out the window towards a wet sky I feel like I should be a depressed European writer, taking slow drags on a cigarette while staring into the middle distance and trying to work out how my great novel will explain the meaning of existence. That’s probably because it’s colder then I’m used to and I don’t know how to react to that beyond ‘wearing a jacket’ so I’m projecting. It’s just one of the things reminding me that I’m not in Oz anymore (see what I did there). Almost every taxi I’ve seen in Vancouver is a Prius, as opposed to a Commodore or Falcon. The complete absence of any Holdens or the Fords I know best is also weird, and I’ve never seen so many Chryslers in my life (they were briefly popular in Sydney because the sedans looked like a Bentley if you squinted). The number of ‘medicinal marijuana dispensaries’ surprised me (I’ve recently learnt what “420 friendly” means), as well as the frequent wiffs of recently smoked pot (it’s neither legal nor open in Australia). The toilets are filled with too much water (seriously, it’s so fucking wasteful), the beers are unfamiliar (but still pretty tasty), the young and full-of-themselves walk with a hip-rolling swagger instead of the chest-thrusting strut of back home (like a bird displaying its plumage). While walking I saw bunch of used needles discarded on the street. I haven’t seen that many discarded needles in Sydney for years. Not because there aren’t any, just because you don’t see them. Again that probably sounds pretty minor, but it’s the minor things that reinforce change the most.

I’ve finally had enough. I turn into a side street with a couple of dumpsters only to discover an occupied car idling with its lights off. I decide to keep walking, a decision that is immediately proved correct when a bloke steps into the alley with two full garbage bags, heading for those dumpsters I’d been so keen on marking. Back onto the main street, full to burst. I walk another two blocks before I find another dark, empty street with another dumpster. I’m there for a good, long, undisturbed while, and finish walking back to my hotel much happier and much more comfortable at a much more normal pace.

There have been a few things that have surprised me about Vancouver. The number of people from Asia or of Asian descent for one. It makes sense in hindsight – after all, Vancouver sits on the Pacific coast and probably relaxed its more racist immigration laws a few decades before Australia did – but my knowledge of Canadian film and television had led me to a stereotype of the local minorities being a lot more African than I’ve seen so far. Funny how that works. I wonder if new arrivals in Sydney are surprised by our vibrant Asian community, since God knows it doesn’t appear in our movies and shows. Similarly I was shocked by the homeless population on the street. Not that Oz doesn’t have plenty of homeless it’s just that, again, we have a certain image of what Canada is like and part of that involves comprehensive social security nets and a can-do attitude towards fixing social problems. I partly blame Michael Moore for this stereotype. Third, personal banking is shockingly backwards. Compared to Australia it’s expensive, ponderous and overly reliant on archaic methods of payment. I’m a former bank teller, I know. But we work with what we’ve got.

It was a little past 9 o’clock last night when I found myself walking awkwardly beneath the picturesque streetlamps and fairy-light covered trees that line the streets of historic Gastown in Vancouver. Awkward because I was increasingly desperate for a piss. I swore at myself for not going before I left the bar and worried that a pattern was beginning to emerge.

It might not sound it, but I’m liking this new city. The differences, the beauty and the flaws give it a personality that a real living city needs. It’s not home yet, and it might never be. But I can live here. Yes I can.

Knights and flags and anthems and Taylor Swift on the radio. Happy Australia Day!

Australia Day Sketch - Edited

Seriously, Happy fuckin’ Australia Day. That weird holiday when people across the country are able to cover themselves in the Jack and Cross (a slang term for the Australian flag I just invented at this moment) without automatically being judged as racist bogans, parading how fair dinkum Aussie they are in a bizarre parody of national pride ripped heavily from July 4th episodes of American television.  Ozzie! Ozzie! Ozzie! and all that. I’d sooner deck myself in the green and gold, but that’s me.

The lead-up’s been a particularly strange one this year. It’s always a bit of a political wank, as both sides of whatever line you happen to be watching cloak their own ideas of “what it means to be Australian” (or some such crap) within the language of patriotism and nationalism. There were the usual articles about how for the Indigenous community Australia Day, the anniversary of the convicts being disembarked from the First Fleet (and, in the mature-rated history books, the crazy, drunken orgy that followed), is also the anniversary of the beginning of the bloody White European conquest of the continent. Some better (passionate arguments made quite reasonably, by members of the Indigenous community and supporters with proven records fighting for aboriginal rights, for a less culturally insensitive date), some worse (social media hipster liberals ’embarrassed’ by displays of national affection on a culturally insensitive date). But a lot of the air time seems to have been taken up by other controversies (loosely using the word here) this year.

Opposition Leader Bill Shorten raised the old Republican debate in an Australia Day eve speech, reckoning that it’s about time we thought about cutting ties with the English Royal Family and figuring things out for ourselves. This is at odds with Prime Minister Tony Abbott’s reintroduction of rewarding people the government likes with knight and damehoods. One winner was (now) Sir Angus Houston, former Air Chief Marshall of the RAAF and Chief of the ADF, recently in charge of the search for MH370 (by all accounts a top bloke deserving of the right to put ‘Sir’ in front of his name). Another winner? Prince Philip. I shit you not, Prince Philip, the goddamn Duke of Edinburgh is now a Knight of the Order of Australia. ‘Cause he served in the Royal Navy and is the titular Duke of Edinburgh of the Duke of Edinburgh Award. I’m not saying he doesn’t deserve to be a Knight of the Order of Australia, it just seems like pretty small change compared to some of his other titles. Given His Lordship’s (or is it His Majesty’s? Royal Highness’?) sense of humour, I’d like to know what his reaction was when he was informed. Apparently it hasn’t gone down well with Mr Abbott’s own government who, aside from not all sharing his monarchist leanings, are upset that he’s disregarded his own word to use the honour to award prominent Australians (rather than foreign royals).

At the same time, the old argument about the need to change the flag to one that doesn’t give prime position to that of a foreign country did the rounds (as it always does this time of year). While I’m partial to switching to some version of the Eureka Flag, a pattern with some real history and meaning beyond ‘won a magazine competition about a century ago,’ but I don’t expect we’ll see a change any time soon. Unless the Kiwis change there’s first. Fun stuff.

Then of course there was the joy that came from a proposal by the National Australia Day Council encouraging all Aussies to get up at noon (Eastern Daylight Savings Time I’m assuming) and sing the two official verses of the national anthem. Personally, I wanted to kick the shins of whoever came up with that jingoistic tripe. Not only do Australians have a long, storied history of disrespect, flippancy and irreverence for such displays (the ANZACs of the First World War, for example, had a reputation for refusing to salute no matter how hard their British officers tried), but we had to endure the long-winded complaints by pseudo-intellectual lefties like myself telling people exactly why it was such an un-Australian suggestion. We needn’t have bothered worrying. Nobody gave a shit, and nobody sang the anthem.

But the real controversy, the real issue that rocked the nation, was Taylor Swift’s inclusion then exclusion from Triple J’s Hottest 100 list. The Hottest 100 is an annual cultural phenomenon in Australia, receiving millions of votes and listened to at any party, pub or gathering worth a damn. Run by the major public youth broadcaster, it tends to act as a cultural litmus test of what is relevant that extends across genres, leaping from punk and heavy metal to dance and hip hop. Given that the Js are listened to by the kind of folk who eschew commercial radio for being too commercial (and are unable to recognise a tautology when they say one) there was plenty of anguish over a campaign started on Buzzfeed to get Shake it Off by Swift onto the list. Seriously, people were not fuckin’ happy, which only fuelled the anti-hipster fires. Triple J remained relatively mum over the issue, finally announcing before the broadcast that she had been disqualified because of the Buzzfeed campaign (and a social media bandwagon jump by KFC). And again, people were not fuckin’ happy. It was probably the right decision by Triple J, who couldn’t let the lovers and haters get away with “troll[ing] the polls” lest it set a precedent. I don’t imagine Swift is shedding any tears over her disqualification, she certainly doesn’t need the press like so many of the other artists on the Hottest 100 list, and it really was an act of trolling. Still, while I wouldn’t call myself a fan of Tay Tay I don’t hate her, and it would have been a bit of a laugh if she managed to win. It certainly wouldn’t have been as bad as last year when Royals by Lorde was beaten for the top spot by Riptide by Vance Joy. Lorde was bloody robbed.

Christ, are other countries’ national days like this?